We worked on Udolfo
when I moved to Paris, that was in 1978
For Udolfo you were given a scenario. Could you decide yourself which
points of view, ways of cutting pictures, and what positioning of the characters to use?
I had the scenario of André-Paul Duchâteau
, specifying on the left what happens
on each picture and on the right the dialogues, picture by picture.
But I had a lot of freedom. Eddy Paape
wanted me especially for the plate
layout, the mise en scène.