But the scenario of Frédéric Bézian
caused me the most trouble.
After three plates I stopped and started again. It was very hard,
because it contains many characters who also happen to come down
a stairs the whole time. I had to take that into account. It is
the story I enjoyed most. I don't currently plan to make a story
with anyone else, but should that happen, it will be with Bézian.
We agreed to work together again. He writes and I draw. I liked it
that he caused me trouble with Dérives
. When you write
yourself, you limit yourself to what you can make. The stories
in Dérives liberated me from that somewhat. When I currently
write a story, I really only think of the story itself. While
drawing Le retour de Cromwell Stone
I ran into a few hard scenes, for
which I asked myself: "Why did I possibly write that?"
But I think that's good, that's how I want to tell my stories.
Only horses I avoid, that's the only thing I really find hard to